The Many Faces of God

The Many Faces of God

​ Marion loves to wear her lips in pink, glossed in a manner of delusional innocence. She walks to her daytime job at the newspaper office every morning and decorates the lies of the world with the whims of her boss. She’s been with men before, but most of them were never lovers. She eats popcorn every evening and gives her dinner the accompaniment of the finest of wines from Southern France. She gets the money from her father, who divorced her mother seven years ago. He loves her well and ensures that she eats her meals on time and has enough to buy her pink gloss. Marion is sad that life never seems to take an exciting turn as the months of her years fly by. Marion is beautiful, but Marion is sad. The cobbled streets of Paris give her no more solace than the wide roads that connect her city to the rest of Europe. While the job at the newspaper office does enough to help Marion hide her mind from herself for eight hours a day, she fills her soul with grimace and hatred for life every night when her cheeks touch her pillow. A Christmas came when the wine didn’t do enough and the broken heart of Marion befriended a rope that hung tightly from a ceiling fan. It was not a tragedy, it was a movement of fate and Marion was gone.

Felix loved his usual doses of LSD by the beach every twice or thrice a year. He believed that the mind needed to be reset every time it got too clouded with the mushy movements of the mundane world. But the last time around, Felix was imprinted. Felix had always believed that his awareness was separate from the objective world and he could dip his hands in the water without getting wet. But the LSD had brought him to believe that everybody shared the same ability. This induced a flame of spiritual jealousy deep inside the materialistic caverns of Felix’s soul. So he turned to DMT to find an explosive way out of the confoundedness that kept him separate from his ecstasy. The DMT worked. It gave him peace. At least it did the first time. The second time, Felix was imprinted again. And this time, he was drawn to strongly feel that the human body was an unfortunate bondage and this vacation to the Earth was an opportunity to free one’s soul from bondage. The wrists of Felix met the sparkling sharpness of an unbranded kitchen knife and left his body lying cold and still in his mother’s kitchen. Felix was beautiful and Felix was free. And now he was gone.
Dr. Kennelly was a victim of Asthma and she had dedicated her life to cancer research. Her everyday contact with tragedy had given her the courage to become an alcoholic. Her everyday interaction with death had given her the wisdom to become loose in speech and careless with her research. When age brought the perception of “fifty years old” into the awareness of Dr. Kennelly, she decided that her lifelong rejection of tobacco smoking was a hoax and she let her resistance slip into the delights of spending $200 a month on tobacco. Her Asthma met several instances of acute torment and left Dr. Kennelly struggling for breath in a twin bed in her lonely bedroom. Her daughter would visit her once a day and kneel beside her, reading poetry from Gibran and Rumi trying to give the old woman a sense of eternity. Dr. Kennelly was beautiful, but she didn’t know that. A morning came when breath had become a matter of perpetual endurance. She was a medical lady. It wasn’t much of an effort to find the pills that would bring her peace. Her daughter read her eulogy and seemed to be the only one that wept at her funeral. Dr. Kennelly’s research was taken up by some other team across the country who eventually made progress. But nobody will remember Dr. Kennelly. Nobody will remember the soul that was spilt because of its contact with the mortality of human dreams.
Bobby Dream was a delightful young poet whose verses dared to explore the darker nature of human existence. He left his heart to the safekeeping of his childhood sweetheart, Emily Karma, who ensured the softness of Bobby’s heart when his talent swam swiftly into the spotlight of concrete human society. Bobby Dream’s verses gave hope to his friends and reminded them that life was no struggle to make it to the throne, but instead a dance to make the grave itself a throne. Bobby’s friends implored him to take his literature to the world in a formal, published manner. Bobby resisted for several years but finally found the plasticity in his mind to reject his rebellious human heart. After nine bestsellers, Bobby decided to go on a romantic date with his hypocrisy. He looked back on his teenage rebellion and touched its innocence again. He admitted that he had failed his purpose. Ms. Karma was now married to a man who worked at the steel factory and she had three children. One winter morning, Bobby Dream saw her walking with her youngest who seemed to hop along as her mother smiled in the sunshine. The smile gave Mr. Dream a heavy remembrance of his carefree heart in the days of his youth. Today had become an endless struggle through sessions of book signings and new contracts with the publisher. All Bobby wanted was to lay in Emily’s lap again and listen to her whistling as the cold breezes of winter would reflect off the warmth of their communion. Mr. Dream would never find such a moment again. As he penned down his last poem, Mr. Dream polished the pistol that seemed so friendly today. Emily Karma shed tears on the mud that would make the grave of Bobby Dream. Bobby was beautiful and forever in love. He took away from himself as much as the world had done. Mr. Dream’s poems live on, but Bobby is gone.
They were all beautiful and now they’re gone. Does that mean that the lives that they lived were any less charming? We move and we move struggling through the resistances of our hearts hoping that eternity would kiss us before we meet our doom. Is it that eternity is a gift only for the few? Is it possible that our mortality is realer than we fear it to be? Is it alright to live our lives in an unforgivable vibration of boredom and hatred chasing dreams that were sold to us by people who were just like us? What are dreams? Why do we dream? Why do we aspire for higher states of human living? Let the sound of the sky’s violins create causeways in our hearts and remind us of our inherent beauty. There is a sense of needlessness that is natural to our hearts and if we dare to touch it again, we might meet the peace that we have craved for ever since we left the warmth of simplicity in our younger years. We are chasing the things that we believe will help us dance, but we never see that this is the only moment in which we can dance. I am a man of poetry, music, and other erotic things. I have touched beauty in the middle of the darkness, with the ability to rejoice even when nobody is watching. It has taught me that my mortality is my liberation; the very foundation of what we can deem beautiful in this immense, miraculous life. If all understandings fail, the only thing that we need to remember is that we are free. And our freedom can never be blemished by the streetlights of space-time that help us dance between what is real and what is not.

Old Man

Old Man

Loneliness is made of scented pine,
A penetrative depth that is never concealed,
By a glorious black dress, or a tinted suit,
Or a sweetened gesture; composed posture
Only a clean mind can truly be lonely,
A mind unaffected by the corruption,
Of man’s sensuous attachment to perfection

I watched a girl drop her empty glass of coffee,
With her momentous existence of a soul within it
As she suffered her way down the sidewalk,
In her needled heels that pierced the concrete street
I watched myself, clothed in tender grey,
Smelling like peach in the pale summer
Entirely sold to thieving dreams of ideality,
Dreams of a fine tomorrow,
That I seem to still believe,
Might be finer than today
You’ve got to wonder,
What a fool I am? Won’t you wonder?
Wonder for me, and for you.

The sun arose another Monday morning,
And we wasted 6:30 – 7:30 am,
Between the shrill annoyance,
Of four alarms, snoozed twice each
And 8:00 am taking us toward another charade,
Between the coffee shop and the office,
And the same old symphony of falsely exciting mundanity
I’ve always pondered, about the frequent visits of elder folk,
To the pews of tall churches,
And the circular centers,
Of dark-walled temples
I’m not surprised anymore; I’d be a fool if I was
Life eventually brings us to this strange place,
Where truth and absolute clarity don’t seem,
To hold such wonder anymore
There comes a time my love,
When all we seek, is comfort
Whether it be in the soft lies of a higher lord,
Or the deceitful embrace of an ancient holy book
There comes a time,
When the only truth in life,
Is peace; Any peace would do.
Such a strange narrative, aren’t it?

I slowly inch closer and closer,
To a place where the thick border,
Between truth and lies dissolves,
Into the heavy sweetness of my memory.
When all I seem to want,
Is to find the threads that make the remnants,
Of yesterday’s passing dreams,
And tomorrow’s lost hopes
So that I may continue to sew,
This fantastic epic of a drama,
That me and you, all those many years ago,
Decided to call a life
I’m inching there sweetheart,
Closer to that place.
When I will become the endless thing,
I never wanted to be.
Much closer. It isn’t quite the tragedy,
I might make it sound to be.
It’s just another page,
Amongst all those other pages,
Ah well, it just might be,
The last one.

It doesn’t take you fifty years to find,
The severe questions of old age.
Look at me, I’ve been here a quarter,
Of a hundred.
And I’m asking questions,
Even your granddaddy never dared ask.
People don’t grow old darling,
Humanity does. And we’ve gotten quite old,
Old enough,
To lay our dreams beneath the floor,
In the attic of our novels and paintings,
We’re old enough,
To waste away our youth,
With strange questions and cheap whisky,
We’re old enough,
To waste whatever we want.

I’ve told you my tale,
And it seems you’ve lived through it.
Get out now,
Go write your own story.

artwork: Alan Watts Quick Portrait – EightBitRemix 

The Art of Psychedelic (The Midlife Melodrama of Wit Warrior)

The Art of Psychedelic (The Midlife Melodrama of Wit Warrior)

My name is Wit Warrior,
83 years, 13 months, and 32 days old
The world doesn’t seem any older to me,
Than it did, when I decided that I was bored with it
The many myriad images,
Of desolate forests and broken souls of flowers,
Are but a tiny flickering to me,
In the endless expanse of space that I access

I broke the boundaries with old friends,
All those many years ago
We, like kids in a candy store,
Having a go at every molecule we found colored,
With even a tiny ounce of rebellion
I’ve seen things, heard, loved, and hated,
Opened avenues within me that,
Only the skies can know the true nature of
That sweet word, REALITY
I stitched the fragrance of it fibrously onto,
The deserted canvas of my imagination
And how I’ve danced with its many meanings,
Throughout my years

I’ve seen so many children in the sunshine,
Making choices, that broke them, that made them
To live on omelettes, chai, and rolled cigarettes
To scale the soft cushion covers in high penthouses,
Drinking bourgeoisie wine and making love,
To plastic dolls and rubber toys
Men drift too much to the east, and sometimes the west,
Some choose principle, honor, patriotism
The others choose love, madness, dancing, and rum
The few choose polished shoes and trimmed beards,
The many choose daytime jobs and evening whisky
Men choose too much, but me,
I’ve been as clueless as the sea waving blindly,
With open eyes, at the sky

There is a dimension to living,
That my way of mind has opened to me
It is, a kind of secret door in the psyche
There are two intelligences
One made of numbers, analysis,
Endless counting, metallic, perfect
But the other, is mine
It is untouched, yet entirely felt,
Ungrasped, yet so tangible
There is a kind of style in this way of life,
To groove on the edges, of risk,
And yet stay unbitten, unsmitten,
By it all
To notice the leaves dancing in fall’s death rhyme,
Is one aperture for human eyes
But to see, the sweet untold songs of death,
Being sung in the silence of red and yellow leaves,
To see the sweetness of death’s ugly feminine touch,
To waltz along with the absolute meaninglessness of existence,
That is the other aperture
Through which all men find a strange,
Lasting peace

The language of poetry only creates walls,
Around the sting of life’s true touch
But all men must write, for it is the only medium,
Through which our thirsting aches for expression,
Find fruitful waters

When I watch the news,
Have a little conversation at the grocery store
I cannot help but perceive,
The separation of my soul from the rest of it all
It is not, that I loathe it,
Or that I wish it was otherwise
Perhaps it was meant to be;
The flavorless tunes of loneliness,
The dull vibrancy of a settled happy life,
The absolute security of a lovely damsel,
And the cherishment of fresh, beady-eyed children
I construe this universe to be a great chaos,
Through my melodic explorations into the endless psyche,
With molecules, shortened breaths, and simple silences
I have seen this chaos, and the choice to find melody in it
Men are too lost in choices,
Our confusion is too great to truly communicate
You see me? I walk the middle, the inside path
I am neither this, nor that
I have no principles, I am bound by no reason
But I am reason

I watch the dabbling noisy ocean of humanity,
Striving to induce meaning,
Into their words, their treaties, their theories
So many men who are so convinced,
So sure, that death can be avoided,
By chasing some great dream
I saw it the day I opened my eyes,
With the molecule, without it
It didn’t matter, my eyes were open
I was looking at an old friend,
Death, dissolution, end, finale,
And it felt good.
All men must die, that is what they are born to achieve
There are some things, however,
That last forever
Like questions, born from old answers,
What is man? Who dies? What dies?

“The seeking must stop!”
We’ve heard that before

And all those many years,
As I swayed into those dangerous realms,
Of clear tangible beauty,
And little sweet droplets of tormenting wisdom
I felt it for the first time,
I felt the weight of being alive
And it released me,
Into a blissful corridor of absolute delight
And I saw the origin of this entire cosmos,
It came from, why ‘ME!’

There is an art in life that too few men find the time,
To discover and master;
This art is ancient, so ancient,
And yet so timeless
That drives us to live with magic,
Crawling and battling at ease,
To birth ecstasy in the concrete manors of mundanity
And find fullfilment in the smaller perspectives of movement

We set ourselves goals so high,
And parameters too unreal to be tuned into our realities
Men live with such delightful theories,
Of perfection
It is not that we need change in this world,
You see,
As it is; this cosmos is splendid
This little earth with its little germs,
Creating war, endless murder,
The perpetual social catastrophes in our communities
Lovers appreciating intricate architecture,
Thieves and rapists, terrorists, and masked bombers,
Milkmen and prostitutes,
Drunks and drug addicts, conmen,
The children of midnight doing business at dawn,
The machine maker, the code cracker,
The marketing maniac, the suited salesman,
The suicidal, the ambitious, the artistic, the calculative
I see them all as one creative movement,
One explosion of life
Ah the several aspects of living,
The numerous creaks through which we find expression
These are the lovely little acts of living,
Are sweet scenes in a delightful drama,
And it makes no meaning,
To proclaim the elements of this drama,
Within the drama itself!

But well, that is the folly every poet must turn to,
Every artist, artisan, and engineer of innovative living,
To proclaim the drama, within the great act

We must, so that a few men,
Might wake up to see,
That life after all,
Is quite an intricate thing
Quite a complex thing
And, is quite worth living
Whether entrenched in meaning,
Or abandoned to oblivion

It is not, my friend, that these things,
Might come to your understanding,
One great eventual day
Most of these things are left to die,
Without finding the halls of universities,
And worse, the hearts of living sentient beings
But, what drama is there in understanding alone?
What adventure will we find in complete revelation?
What joy will we discover in eternal clarity?

The dance is in the chaos,
And the truth in the laughter,
That erupt from our untouchable innocence
My friend, it is sweet when we look at the colors of living,
The delectable opportunity for eternal exploration,
Answering the mating calls of the unknown
And yelling, “That’s fucking psychedelic, man!”

artwork: Archan Nair – Alchemy Resonance

Cloudy Lines

Cloudy Lines

Entrenched and aching,

In a mild prison, that is barred by soft breasts,

And visions of a delight that never arrives

If you can look into the darkness,

That I have erected in the midst of my perfection,

You might tumble into rapturous laughter,

Gently urinating on my funny dreams

 

There’s a girl who lives in a cottage,

That stands beside a thin river

She lives alone, she smiles,

She bakes bread, has a dog,

Drinks whisky every night

She spares no mercy to offer her heart to the world of men,

No time,

To lend her ears to the tremors of fear that rule our world

No television, no radio, no internet,

Just her whisky, dog, and bread.

She’s happy, I’ve kissed her, loved her in summer,

Hated her at fall, touched her warm skin in winter

I’ve known her fears, tasted her dreams,

Drank her whisky, stolen her wine.

Her life rolls on toward oblivion,

Like the stars do at dawn.

She spares no thought for tomorrow’s possibilities,

And dies to the whispers of midnight light.

 

Lyrical delight leads us to naught but damnation,

Too much I have kept my hopes in verse

Invested my heart in beauteous tones,

Strung my heart to give life to words.

I have no complaints. Just a broken heart,

And a mind too small to hold and embrace,

Its endless frames of melancholy.

 

Words exist to tell lies.

There is nothing a word can tell,

That is anything but a lie.

Can you see? Look far into your mind,

Can you see?

Without words, our lives are nothing,

And yet everything, and nothing.

Without words, these constructions of color,

Have no place in existence.

Our world is a world of words,

And we, the most gifted of all liars,

We wondrous tellers of verses,

We poets, we dreamers,

We weave the deepest,

And most elusive of all worlds.

 

I feel like my soul empties into the night,

As I give birth to more verse.

You cannot see, no looking into me.

I bleed. A blood that has no taste,

From a spirit that has no breath.

I am the messenger of death,

And I say to you,

“Go now, live. Tomorrow is a tearful thing,

Death is our blessing. Our end, our gift.

Tonight you see only the endless sky,

So, that when death comes,

You might see beyond it.”

Broken Painting

Broken Painting

I want all kinds of things,
Like a life with no work, no hardness,
Simple moments floating around,
Like paintings, to be looked at.
I want lots of whisky, laced with magical syrups,
To do all kinds of things to my mind.
To be innocent, I want to be drunk with innocence.
To know nothing, and be in foolish awe at every penny,
Striking glass, spilt water on the floor, boiling milk.
And to laugh with the wind and dance madly,
To shave my head, leave my hair to wildness in winter.
Let the snow freeze my balls and the sun of May eat into my lips.
I want to leave my tongue to touch the rain, leave my ears,
To be slaves to the senseless semblances of old music that live today.
I want to be a bad poet. A good one. To listen to good music, and bad.
And drink cheap wine, expensive whisky, illicit rum,
To die young. To waste my years into old senile rebellion.
I want the world.
But here I am, sealed to a plastic chair and brightly lit screen.
Looking at the reflection of a large universe,
Dying every moment.

I want to fuck her with her hair pulled back,
Pouring peppered boiling whisky into her mouth.
Watching her groan for more, and smiling,
In all that dastardly pain.
I want her seething and rolling in thorned cotton,
Screaming for her blood to come rushing,
Through into the light,
Spurting through tiny holes in her skin.
But we as men make pacts, as women we settle,
For cheap roses and hot chocolate.
For expensive wine, satin clothes,
Plastic condoms and boring nights before a dead flickering screen.

I want me, in absolute insanity giving origin,
To new life. To let the whisky that dances on my lips,
Birth some great new verse. Great new dream.
But then, I’ll stay sealed to these old ambitions.

I want no schooling. I need breed insolence,
Bloody wreckage in all that is orderly.
I want to heat the blood of every working class drug addict,
Every tobacco smoking fool who’s sold his life to repetition.
Every alcohol consuming shit-speaking contract-making,
Hair-trimmed half-spectacled well-dressed dead body,
I want to teach them how to dance.
But then, I settle as a brother to them.

Only defeat makes me write, and I waste my wisdom,
To be ashed into the trays of self-righteousness.
Dead, already.

In those older years the words came from honesty,
Now they come from disgust,
Flavored with a strange taste for life,
To keep on living.
For what? Who knows?
The song keeps pouring away into the future,
And we remain, stuck to yesterday

We are the men and women of our dreams,
Freeing our hearts violently,
Fucking each other with our lies,
And seeing the final freedom in our bondage.
What a joke?
Life! Aha!
It takes a great taste for madness to understand it.
A madness to want nothing and yet all of it.
And then the cowardice to switch your love to that whisky bottle again.
A deep column of sweet shining gold,
In the sweet embrace of which your dreams find a marriage,
To everlasting non-happening.

People have forgotten the charm of tragedy.
To stand and behold, the subtle subliminal flavors,
Of injustice and monstrosity. The evergreen messages,
That linger beneath the ever-elusive grasps of death.
Tragedy is our friend! Our friend! She remains,
Till time frees us from whisky and women, men.

Here comes the bad news, we are all going to die.
And between the lines I see it,
The great hoax. The things I’ve wanted, the things I’ve had,
And between the photographs of red lips and heavy breasts,
Lost trips to wonderland in chemical indulgence,
Forgotten bibles and bashed folklore.
Between it all, I have found myself, and yet,
Not the self I quite expected.

Give me more drama,
Or I will fade away into the backstage of existence.
Forever left unsatisfied,
And screaming for one more breath,
One more inch of open eyes and honeyed lies,
Never to return.

Touch It

Touch It

It takes wounds to write,
Several. And if there are none,
We must hurt ourselves to create;
Through wounds the light can come out.

From what glorious futuristic vision,
Does our elation stem from?
It feels like that good feeling,
Which we chase our entire lives,
Hoping to touch someday,
Forever eludes us, cheating, escaping us.
It seems that our imagination is discontinuous,
With the heat that operates our bodies.
We have decorated ourselves with job titles,
Expensive suits and beautiful wives, husbands, whores,
Jeweled our invisible images with neat talk,
Defensive vocabulary, heavy wallets and hearts,
Spyked with the endless thirst to be emperors of our world

As we build elevators to glassy penthouses,
And leave our eyes in the basements of our dreams
We come to hear the toll bells of our honeyed hells,
Through the streets of our cities, that like garbage dumps,
Harbor and nurse the whims and what nots of our erect penises.

We are a “touch it” world, where we need to feel,
Our toes wringing in maddening glee
Every inch of our feeling selves dancing,
Every cell mourning and dying to ecstasy;
There is nothing more than that
In all our endeavors;
Our chivalry, our righteousness, our goodness,
Our poetry, our dance, our glorious revolutions;
Everything is a “touch it” thing,
And if it isn’t worth our mental erection,
We will abandon it by dawn.

Two types; one the suited, the other—the nature guy,
Both don’t know and both are right, both wrong.
They will battle till this chapter of life comes to naught

Our wounds will be ointmented with whipped cream,
Made from steel butter and urine ice.
Our world moves toward a dark time,
When hell will erect its massive edifices on our lands;
Our endeavors flourish only for entertainment,
And death comes racing; greatly motivated,
To move this wheel of time into nature’s deepest abyss

Our satin-saffron clad priests will perhaps survive this descendence,
Chanting their verses in praise of their Adiyogi.
But they would’ve missed, they would’ve missed.
Life is no great thing without the darkness,
Without the hurt, without the fear,
Without the knowledge of possible annihilation,
From a very un-enlightened perspective

I will come back,
To give you better renditions of our mysterious fates.
Until then,
Bask in sweet sorrow and drink to our demise,
Chasing the dreams that you can touch,
Relaxing in crisp and clear sensation,
In confident erection, eyes open,
Tongue tucked behind gritted teeth,
And a loudly beating heart.
We crave all things that ask and beg and plead,
Mourning, “Touch Me.”

Screamjack

The Endless Dawn

The Endless Dawn
Behind my eyes,
Lurking beneath every feeling
Hiding behind all form,
Expressed, yet unknown,
Backstage, yet the showrunner,
Endless, yet momentary,
So groovy, so secretive,
Forever unknowable, yet existential
Whisky brings a bit to light,
A little herb shines it more
Some chemical revelation,
Brings it to dawn
Fungal fruition, seems to tickle it
But yet, there it lies,
Unknown, unknowable,
Unseen, unseeable
That nameless miracle,
That is life
That is I.

Puppets in Paradise

Puppets in Paradise

Dwindled in boredom,
Aching for feminine touch,
Salted in pretense, rage, and fever,
Aching,
For all things dark under the sun

Come now, hearty one,
Who lost his laughter in the rains of time,
Who has given his humor to idiots and thieves,
Come lay by me, and rest beneath the moon,
And find your solace in a dreamless sleep

You cannot go searching for Canaan with an empty heart,
You cannot dance if meaning is your purpose
I have beaten senseless to pulp your notions,
Of grave family, ambition, thieving religious greed
I have removed the division between your Science and Love
How many years through which you will sell yourself to this prostitute?
These equations and symbols that swerve in ignorance

Kiss rain,
Before it slips like dust,
Through the dreams of the stars
Hire the scent of the wind,
Before she lays once more,
With your enemy laughing,
With another damsel in his arms,
Who you fucked last night
Dip your arms in this bloodstream,
And let it turn to a lily farm
Come leave your melancholy at my doorstep,
And run to your wife before it’s too late

My heart only aches with more lizard tales,
Reptilian nonsense about aches and lost lakes\
Can you come look into my meandering self?
A little fading dream in a colorful adventure
I have heard the fools bring color to concept,
The blasphemers with beady eyes selling their shit,
To cravers and ravers on these shit streets,
People simply seeking some last inch of archaic wonder
It won’t come with your words stupid wonder child,
Leave this place,
My whisky loses its charm with your senseless ramble

The heart seems to be a hole for treacherous things,
So come, let’s behold treacherous things
Let us glorify the sickness of our glorious race,
Let us decorate our dysfunction with inner murder,
I will teach you a new yoga. Would you dare to hold my hand?
I will bring you a breath that will tear your limbs,
Cut your tongue, burn your hair, break your heart,
Do you dare to know this magic?
These old fools sell you their ecstasy nonsense,
Let them rot in their white light and saffron-robed kindness,
Let them rot in their godly folly, their selfish understandings
I will give you the very edges of darkness,
I will kick your innards into that maddening awakening
Over there, in that dark place, you will find yourself,
On the razor’s edge, where you will lose me,
And I you
And us both, find ourselves, and never look back again

These folks don’t dare the infinity of the human being,
They will bring you to a hurtful finitude
Where your endless potential becomes an endless illusion
A thirsty search for some great money dream,
Where these losers bow down to you,
As you are puppeted on a plastic box,
Doing things that make them laugh

You derelict soul, you broken mind,
You are here to be whipped into a mold
Like butter into cake batter,
They will make you thick and tender,
But you will be dead

Who dares look into the workings of anger?
Who dares kiss him before a mirror,
And shed tears of rage for all cosmic life,
Do you remember tears? I wonder.
The world’s evil is a mere comical folly,
In the eyes of the eternal cosmic darkness
And we waste our years with the plastic box,
In drama, rage, and childish conversation
Go live! Stupid wonder child,
Bring yourself to open capitulation
No one cares for last night’s visions,
No one dreams of you. No one cares for you.
So alone, the snow comes down,
And we’re drenched again in yesterday’s dreams

We must rest now.
We’ve beheld enough treachery,
On this useless night
Ah! The stars seem to have not moved.
Things shall remain as they are,
Tomorrow.

 

artwork: Enchanted Doll – Maruhana Bachi

Dancing through Hell Fire

Dancing through Hell Fire

I often feel we cheat ourselves because we’re afraid of our own glory. We’re afraid that deep down, we truly are magnificent creatures destined to keep on living, not achieving, but being the most glorious pieces of light that stretch across the endless expanses of space. Sometimes, I feel that the greatest purpose of breath is to dance, to dance through every single day like nothing matters. There lingers deep down oneself the immense urge to explode into oblivion, to become a simple nothingness that is more glorious than the atomic truth of material existence.

Every time somebody reads something, it seems like they are looking for something. In every act, it seems like each person is expecting some kind of great mystery to come rolling down onto the floor of their conscience, naked, bare, and innocent. It’s only a daunting thought to see that there might not be any mystery at all. If we remove purpose, meaning, tomorrow, and time from our lives, we simply aren’t able to imagine what might be there to look at in the sunshine. There might be nothing at all. Say I just give up thinking entirely, would anything be there at all?

So many people are searching and searching. I like laughing. I adore the human ability to burst out with energy from the innards laughing into space with a sense of insanity and absolute craziness. Because of the way so many people have told me life should be, the mold it should take, the kind of boundaries it should be limited by, the kind of stupid scientific theory it should be reasoned by, I find even writing this difficult. From deep down in the unconscious I feel an almost unstoppable forcing drawing only dishonesty from me. There is a kind of living organism stopping me from touching life. I don’t know, maybe the organism’s just another thought.

You know I’m afraid that if I stop writing, I might lose myself again. I might forget life, might just disappear into the endless void of non-being. But then, I’m this endless explosion tickling myself at this little corner of the galaxy dreaming of doom and hopeful of a blessed tomorrow that hasn’t come for over a billion years. Funny, eh?

Morbidity is this little flash of wisdom that sits smoking a cigarette made of childish doubt at the tips of my little goose bumps that come erecting through every little molecule of breeze that touches me. I sit here, asking the sky to come molest my existence and cloud me with more and more confusion. There is great evil in this world, and it isn’t our enemy. It is our experience. And we make it because we like it. We love great tragedy. Deep down, the human heart is crafted by soil, wind, and spirit to handle the most grievous torment, the most heart-ripping sorrow, and the most devious and disastrous self-deception. The human mind is made to feel evil at its greatest height. This is not our destiny, this is our creation. And we play it out so well that all our acting has transformed itself to become real personalities in this desert of verbal and mathematical calculation. Only gods can hoax themselves to perceive mortality as a real concrete thing. Only gods can take this existence ride into absolute mayhem and uncalculated misery beyond self-understanding. This confounded movement through the undefined cosmic soup is the absolute glorification of our divine existence. You know, it’s great, hell and all. In the deepest fire is where you will find the light. Rotting like a living corpse in the deepest, deepest most unimaginably painful place in your infinite self.

I stopped searching for reality when I discovered that losing touch with reality is reality itself. This whole thing, this life, it’s too fast. We try with paintings, music, poetry, we try, but those are just desperate attempts that come meagerly close. It’s too fast to capture in a sentence, it simply can’t be done. Ah, it’s great though. You know, we’re all drunk on this great cosmic thing. It’s a great and long intoxication, almost eternal. In the mind, sixty years seems too little. Run to Medicare, fitness, hit the gym, sport, diet, good food—bullshit. When you forget tomorrow, you’ll just be dancing out there breathing the very air that sustains you. There is no tomorrow, so many idiots are fighting a battle that does not even exist outside their mental space. The mental space is an elusive entity. Everything that exists in that space is a dream. And it’s funny when you realize that the entire universe as you knows it happens in that limited mental space.

Does anyone really set aside time to think of useless things? I wonder. The world is so preoccupied in making tomorrow better than today, they are interested only in productivity and mechanical manipulation of every dam thing. Even this thing they call love, it’s a mechanical process devised to end in confusion, torment, anguish, and total indifference. Duality defines the world every minute in such a way that each intention is bound to attract its diametrically opposite intention. If you chase happiness, you will run into sorrow. If you chase salvation, you will run into damnation. If you chase love, you will run into hatred. Success and failure. Life and death. How can there be so many people out there who never figure this out? It is so, obvious. So, concrete. Yet people live in a way which merits the belief and hope that one side of the coin can exist without the other. It’s absolute ignorance. It is hope that keeps you crawling in the shadows addicted to wishful thinking and endless dream.

You will not wake up if I ask you to. I will not wake up if you ask me to.

Whisky, wine, rum?

 

art: Vincent Van Gogh

Breathing in the Shadows

Breathing in the Shadows

Sometimes, we all get sad. We get distraught, entirely confused and craving for some light, a little inch of understanding that might salvage us the remnants of our half-wasted lives. The various flavors of guilt steal our attention to remind us of the miserable ways we treated people, the low energy moments when we fed off the joyous memories of some ancient glory we believed to behold but had no part to credit ourselves to. Sometimes, the whole of human existence feels like a ghostly movement of flawed vocabulary and broken spirit. And then, we turn to rum, on some days its whiskey and the few days of wine. And every day, there’s beer. The liquid diet serves to cure both a broken heart and the guilt that spurns from the memory of other hearts that were broken.

The universe has a tiny irking for brokenness. It kicks itself about it and yearns for more and more brokenness. Brokenness gives perfection a glorious crown. It is an element of art that decorates the highest level of creativity with aliveness. It hosts an immense power to alchemize existence into something higher than itself. Here we are, the pinnacle of the universe’s desire—humanity. A wretched race built on the broken ideals of morality, love, and hope. Here we are, a tormented people striving for greatness and blind to the doomed quality of our ignored mortality. We are the peak of the universe’s magic, and the foundation of that peak is the broken nature of our hidden spirits of whose existence we will always be doubtful of.

Every journey into the realm of understanding—to understand oneself, others, all of it—every journey, smells of vanity and stinks of cheap beer at the end. Sometimes it’s best to say things in a way that the only implications are the things being said and no greater meanings hidden or pointed at. The power of transcending grammatical perfection and lingual decency is the only power that helps anybody break out of the shackles of their own concocted verses of rhyme, meaning, clarity, and eventual boredom.

Each alphabet, each sound, is an explosion of the one thing there is—life. Is it here? What does it mean for something to exist or not exist? What does existing mean? Do I exist? Do you, who is reading this exist? Or are you just a swirling in the cloudy imagination of dreams that I spurned yesterday. So many men want their lives to end on the shoulders of a pretty woman and on the rims of a glass filled to the brim with rare whiskey stored in nurtured barrels for a million years. I have no dreams for tomorrow. I want today. And the more I look at it, the more I see that there is no today. Today was over, many years ago. All that remains is the inklings of the little child that dreamt each day of a future that never came and a future that never comes. I like Ms. Plath, glorious and alive in heart look up at that fig tree and wish for every bit of it that it can offer, but I see it all, grown rotten and created to hoax the only thing I ever believed to be alive—myself.

Our lives become staircases into the shadows not because of sorrow that we claim to be our own, but sorrow that we claim to have shared with the tender reflections of ourselves—other people. The many masks and personas that we dance with from dawn to dusk into the weary walks with our dreams at night, we are the dreams of endless nothingness. Have you ever felt like nothing amazes you anymore? Felt like the greenness of the trees and twinkles of the stars were nothing but boring kisses from the same old mother? In the end you see, all things are robbed of charm and light, robbed of dreaminess and steaminess, robbed of life. The only fear the living are left with is the fear of who gets robbed and who keeps robbing. Neither exist.

Somewhere between this dreamed beginning and feared end, there arose this “I am”. And “I am” is the hoax that breeds this endless oblivion.

With the end of things, all that remains is the infinite potential for a new beginning. Even such a thing as glorious and eternal as poetry meets mortality. The only real thing about being alive is death—the fact that one day, all this that we know and love and cherish, hate, despise, and scorn at will be gone. All gone! And then I, my own sweet precious I that I nurtured and kept moist with attention, light, and sweetness will come to what? Nothing. I see that now my friend, and smile.

I’ll ramble till the sun goes down on his knees and begs me for mercy. I will speak till the breath flowing in my toes leaves through my nails. I will not preach but I will scream. I have no reasons for my dances in the moonlight, no causational rendition of meaning to my madness. All you have is me, and the experience that is me. All we have is the stars, to mourn and complain of our mortality.

If you aren’t afraid of death you haven’t seen life yet. I’ll leave you now, with an empty heart and a shallow hope for an eternal tomorrow. Give it up sweet tearful friend, from birth to death is one large lemon, and we swim through burning ourselves, slowly disappearing into a forgotten nothing.

 

art – The Road Through Death – the jamesstark